Bartók Béla Memorial House (Budapest)

 historic house museum, music museum

"The renowned house on Csalán Road, which guards and promulgates the memory of the greatest genius of Hungarian music, was built in the skirts of the forests-hills of Buda in 1924. In those years, the neighbourhood, with exuberantly splendid gardens and only a few houses, was more a part of what we would call it today - a "landscape protection district", than the noisy Capital. The composer, who could not stand the clamour of the metropolis, the din of machines and engines and the inquisitive and prying nature of people, found an ideal home in the district rich in fragrant fresh air and tranquillity only broken by the twittering of birds. From 1932, the house and garden previously bearing the number 27, and later number 29 as historical fate will it so was Béla Bartók's last residence in Hungary. Now it is a museum, more precisely, it is a memorial site that attentively guards Bartók's personal belongings and regularly evokes his spirit through his music.
The former house of Bartók was partly reconstructed and converted into a memorial house by the capital city of Budapest on the centenary of his birth, in 1981. At that time the renovation of the three-storey villa house was carried out according to the plans of the architect György Fazekas. On the ground floor, an entrance that widens into a hall was made from the former caretaker's compartment. A new and spacious staircase, which changes the façade of the house, was erected, and an intimate chamber hall for concerts was formed by opening the adjacent rooms on the first floor into one hall room. In the three rooms on the second floor, where Bartók mostly lived and worked, is the museum presenting photographs of the composer's life and his personal belongings, all carefully protected by his successors. Both the new and earlier goldsmith's work of the new entrance overlooking the garden is the craftwork of goldsmith artist József Pölöskei.

A stone-surfaced cascaded theatron was erected in the garden for outdoor concerts. Right next to it stands the famed full size sculpture of Bartók by Imre Varga, the reproductions of which can be found in Paris and London.
The exhibition calls to mind the creator, the ethnomusicologist and the performer, but in particular it recaptures the outstanding personality; the man who wrote his masterpieces, the Sonata For Two Pianos, the Contrasts, the Divertimento for Paul Sacher and the Chamber Orchestra of Basel, and the Violin Concerto dedicated to Zoltán Székely in the middle of the thirties right here, in this tiny upstairs workroom, originallyrotected against the noise of the outer-world by cushioned doors.
His brilliant chamber music pieces were also composed here, in this extraordinary milieu of richly carved furniture by the Transylvanian craftsman György Gyugyi Péntek, the magnificent folklore-relics decorating the walls, his esteemed Bösendorfer piano and the phonograph, an essential instrument for his daily ethnomusicologist work. These musical pieces include the Twenty-Seven Choruses, a fundamental composition for our choirs; Microcosmos, a piece related to the piano teaching of his son, Péter; String Quartet No. 5; Quartet No. 6 of November, 1939 that mourns over the loss of his mother, but perhaps also bids a spiritual and moving farewell to his homeland.
It is incontestable that the objects portrayed in Bartók's home are embedded in his music: his sincere devotion to folk culture and to the simple people of the country, the eternal fondness for the objects of nature, the insistent appetite to understand the world, his austere orderliness, and the near ascetic purity of his entire being.
Throughout the past twenty-five years, the Memorial House has become the worthy home of Bartók's art: his works for piano, chamber music pieces and classic compositions, that may once have been played between these walls during his life, are now regularly interpreted by the most prominent Hungarian artists in the concert hall. Moreover, his spirit is worthily represented by the music events presenting the latest contemporary compositions and the introduction of the most eminent young musical entrants.
The house on Csalán Road is the worldwide-acknowledged meeting point of Bartók's admirers, the connoisseurs of music, the young, the musicians and those simply interested in Bartók and his music. The memorial albums of the past twenty-five years record a list of distinctive visitors, namely Paul Sacher, Andor Földes and Yuriy Simonof
Upon the contribution of the composer's Hungarian legal successor, Gábor Vásárhelyi to commemorate Bartók's 125" birthday, the complete house was renovated. The external part of the building was restored to its original splendour; as for the interior, not only was it enlarged and refashioned, it also presents the near-original state of the composer's living and working rooms to the visitors of the exhibition."

János Szirányi
Director of the Memorial House

www.bartokmuseum.hu/memorialhouse.html