SHRINATHJI - Haad Ma Pahaad Ma Maharo Shriji Biraje Mevad Ma.
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AREA AROUND SHRINATHJI
Shri Nathji, literally the "Husband of the Goddess of Wealth", has a magnificent mansion in the Rajasthani town of Nathadwara, India. This sumptuous 17th Century mansion serves as a seat of the Pushti Marg, a Vaishnav sect founded by MahaPrabhu Shri Vallabhacharyaji in the 15th Century. Expounding his philosophy of "Vishudhadvaita", the great Acharya set up the Pushti Marg, the Path of Grace, with divine blessing in Gokul. Vallabhacharyaji wrote a number of great Sanskrit works to expound his philosophy, and was honoured as an "Acharya" by the South Indian Emperor of Vidyanagar, Krshnadevrai.
The sect flourished under his son Shri Vitthalnathji (popularly called Shri Gosaiji), and soon adopted the graceful lifestyle of the 16th Century royal courts of North India. The temple servants still serve the beloved prince of Vraj with all the respect and deference due to a reigning monarch. The hoards of devotees who come to the Haveli for a darshan, see the Lord as "Ladelelal", the endearingly mischievous son of Yashoda.
Gosaiji and his decendents have kept the alive the spirit of the sect around India. The current Tilakayat (the goswami in charge of looking after ShriNathji at Nathadwara) is in direct line from Shri Gosaiji and along with about 150 other Goswamis, they look after the welfare of the sect.
The main form of the Lord worshipped in Pushti Marg is that of Shri Govardhan Dharan, the Lord lifting the Mount Govardhan to protect the denizens of Vraj. More popularly, this form of the Lord is lovingly called "Shri Nathji" by the followers of Shri Vallabhacharyaji.
Shri Gosaiji established seven separate Havelies for his seven sons in Gokul. The form of baby Krshna (Navanit priyaji), whom he inherited from his father, was permanently housed with Shri Nathji at mount Govardhan. Navanit Priyaji officiates for Shri Nathji when ever the Lord is required to perform any rituals outside the inner sanctum. All in all, Shri Gosaiji set up nine main forms of the Lord to be worshipped by his disciples. These are commonly called "Nidhies" of the Lord. Nidhi means an Ocean - these Lords are indeed the oceans of great honours and wealth for those who have the great responsibility to look after them.
During Auranzeb's vicious rule in Delhi, the Goswamis of Vraj judged the area to be too dangerous to live and practice their faith in. Apart from GokulNathji and his descendants, they all emigrated to various parts of Rajputana - the only secure Hindu controlled area in North India at the time. Over the centuries, these Nidhis have come to reside in various parts of India. Here I have listed the various Nidhis and where they currently reside.
Shri Nathji :- Lord Shri Govardhan-dharan, who has lifted mount Govardhan for us all (Nathadwara - Rajasthan)
Navnit Priyaji :- Baby Krshna, with a butter ball in his right hand. (Nathadwara - Rajasthan)
Mathura-Dhish :-Lord of Mathura - four armed image of the Lord. (Kota - Rajasthan)
Vitthal Nathji :- Lord, waiting with his hands on hips, for his devottees. (Nathadwara - Rajasthan)
Dwaraka-Dhish :- Lord of Dwarak - four armed image of the Lord. (Kakaroli - Rajasthan)
Gokul Nathji :- Lord of Gokul - four armed image of the Lord. (Gokul - UP)
Gokul Chandramaji :- The "moon" of Gokul - dark wooden image of the Lord playing a flute. (Kamvan - UP)
Maadan mohanji :- Lord playing his flute during the Rasa-uttsava. (Kamvan - UP)
Bal-Krshnaji :- Baby Krshna, with a butter ball in his right hand. (Surat - Gujarat)
Natavarlaji, Mukundraiji and Kalyanraiji, though not set up as Nidhies, were also worshipped by Shri Gosaiji and are accepted as semi-nidhis in Pushti Marg.
There are many explanations for the form / svaroup of ShriNathji.
In true Pushti tradition, many different explanations exist to cater for the different bhavas of the devotees.
1) Originally, Shri Vallabh worshiped the Lord as Govardhan-Dharan. Hence the most popular explanation of the form of ShriNathji is that of “the Lord who lifted mount Govardhan by his left hand to protect the residents of Vraj, to protect them from the wrath of Indra.” His left hand, raised above his head, upholds the mountain. His right hand rests on his hip, signifying 1) rest – whilst upholding the mountain 2) the depth of our troubles – ie "Don’t worry, you will easily cross the ocean of samsara and the results of your karmic actions will not worry you, as they are only waist deep ! You will not have to swim or seek the assistance of any other sadhana as your vehicle to cross the ocean of samsara ! Through my grace, the ocean is very shallow !"
In His GovardhanDharan aspect, the Lord promises to protect and save his beloved devotees 24 X 7 – ie at all times, in all conditions and forever. The Lord will keep the deluge of pain and suffering away from us and shield from the bad results of our own karmas. He will remain vigilant in this act of protection and will do so throughout the day and night, throughout the week, every week ! The only condition is, you have to near Him – hence His eyes are downcast, saying, come to my feet, and I will look after you. Once you have surrendered yourself to me, I will take care of all your requirement, including protecting you from own self if need be !
This has dainya (utter helplessness) and dasa (absolute surrender) as its chief bhava.
2) The Lord came to save the people and animals of Vraj from various calamities, one of those being the polluted waters of Yamuna. Poison spewed out by the Kaliya naga (a serpent with innumerable heads – very much like the various industries that currently pollute the river today !), was harming the lives and livestock of Vrajvasies. Lord Krishna decided to deal with this problem head on and crushed the serpent by dancing on his innumerable hoods. (The Lord did not kill the serpent, but sent him to live in the middle of the ocean, where his poison would not pollute humans. I am sure, even today we could learn from this and instead of banishing or destroying industries, make them clean up their mess or relocate them where they do not harm the environment.)
The Lord is dancing the dance of joy and victory, and the snake is trailing listlessly from the Lord’s raised left hand, down to his knees, and than up again from there, through the crook of his right hand, resting on His hip.
Adbhoot (wonder), danya (utter helplessness) and dasa (absolute surrender) are the chief bhava of this aspect of the Lord.
3) ShriNathji is also a Gopa – a child herding his cattle. In that aspect, the Lord raises his hand and calls out to his cows, least they should get lost in the woods of Vraj. “Come !” He says, “You have wandered far and wide. You have now had your fill. Come back to me. It is time to go home now !!” The Lord is recalling His beloved souls who have wandered around countless species for countless births. It is time for us to return to whence we came. This can also be a call to his beloved friends who are wandering in the woods, having lost track of time and need a reminder and guidance on getting back to their beloved homes.
With his left hand held aloft, the Lord calls the jives / souls to come to Him. Tired of waiting for the errant souls, the Lord has placed His right hand on His hip to take a rest from calling us back to divinity !!!!
Sakha (friendship) and dasa (absolute surrender) are the chief bhavas of this.
4) The svaroup of ShriNathji is also said to be the svaroup of Rasa Lila. The svaroup is said to represent two aspects to the Lord’s dance during the Maha Rasa.
1) His raised left hand holds aloft his scarf, fluttering in the moonlit woods of Vraj. His right hand is on his hip, kept there while He twirls with speed and gusto during the Maha Rasa. To represent this, Lord's clothes are flared out and his plaited hair is shown swinging in swirls to suggest the circular motion of the dance.
2) The Lord and the Gopies have linked their hands during the Maha Rasa to create an unbroken chain of joy. In several pichois of Maha-rasa, we can see the gopies linking their hands with the raised and lowered hands of the Lord.
3) The Lord’s uplifted arm is linked to a gopi’s uplifted arm – held aloft to suggest an expression of spontaneous joy.
4) During the Maha Rasa, sometimes the gopies got exhausted by the sheer pace of the Maha Rasa. Yet, they do they not want to take a break from it all by stepping away from the circle – least they should loose contact with their beloved Lord. So, the gopies take a brief rest by holding on to the Lord’s waist or leaning on His shoulder, whilst going round and round the Maha Rasa. The lowered hand of the Lord is linked to a gopi’s hand at the waist level for this reason.
By this, the Lord is saying, I am with you in your moments of joy, and in those moments when you are not 100 % and are taking a rest ! I am with you throughout your dance of Life, life after life !!!!
This has madhur (love) bhava as its chief expression.
5) The Lord is Nikunj-Nayak, Lord of the various bowers (there are 12 main such bowers) in the wonderful woods of Vraj. In this form, the Lord is standing at the entrance to a bower, inviting those souls that are entitled to this lila to come in and join Him.
Sometimes, the structure behind the Lord is said to be that of an entrance to a mythical cave that leads from mount Govardhan, directly to the divine abode of the Lord. It is also said that when a devote vaishnav dies, they enter the Lord’s abode through this kandara (hidden cave) behind the Lord.
Madhur (love) bhava is the chief emotion in this form, as only the beloved of the Lord are admitted into His private bower !
6) The Lord is also worshipped as Indradaman / Devdaman. When the Lord first revealed His current form, it was His raised left hand which was first seen by the villagers near mount Govardhan. They assumed it to be an icon of a snake and worshiped it as such. Later, the Lord revealed Himself and took the form of a young boy. He told the Vrajvasies that He was the one who protected their ancestors from the wrath of Indra and hence was known as Indra-Daman or Dev-Daman by the Vrajvasies. He used to play with the village children and it was in this form that Shri Vallabhacharyaji found Him when he first visited Jati-Pura.
Adbhoot (wonder), dainya (utter helplessness) and dasa (absolute surrender) are the chief bhava of this aspect of the Lord.
The mukhiyajies (high priests of the inner-most temple who are charged with taking care of the person of the Lord) adorn the Lord with clothes and jewels that are appropriate to the seasons and festivals. By adorning the Lord with great skill, they help evoke the various bhavas in the devotees.
Let us look at other symbolic aspects of Shri Nathji and his surroundings in the inner sanctum.
1) EYES ! Perhaps the most striking feature of ShriNathji -
The shringar of the Lord is usually done in such a way, so as to show that the Lord is looking down, with his eyes half closed. This re-enforces the dasa bhava, effectively saying, come to me, sit at my feet (ie be close to me) and I will keep an eye on you. The half closed eyes are a classical representation of a yogi in meditation. The Lord is the ultimate authority in yoga and indeed, is the very thing we all seek when we meditate !
2) GADI - The seat of the Lord
The gadi – ie the mattress on which the Lord stands, is stuffed with cotton wool, and it represents mother Yashoda’s lap. The two bolsters on the side are her hands. The Lord is said to be seated in the lap of His beloved Yashodama, forever secure that no one will dare scold Him while He is in her lap. No matter how naughty He has been during the day, no matter what the other gopies say, Yashodama will never believe anything ill of her beloved son. She will tell the complainants to look at their own shortcomings, but will never say anything to upset her darling child. Such is the love of mother Yashoda for her Ladilelal !
As a result, even now, though we all know that Devki is the mother who gave birth to Krushna, we still call him Yashodanandan. His foster mother Yashoda’s love for Him was so much dearer to Him than His real mother’s, that even the Lord says, “No matter what the world says, I will always call myself as your son ! I will call myself the son of Nanada and Yashoda.”
3) PITHIKA - The stele behind and around the Lord
The structure behind the Lord depicts a rocky landscape, said to represent a cave in the mount Govardhan. The raised area around the Lord is populated by snakes, representing the eternal Adi Shesha, Lord’s companion and brother in this avatara ; cows, forever auspicious and much loved by the Lord, especially in this avatara, where He loves to be called Gopal and Govind ; a lion, representing a regal symbol, a sign of authority and fearlessness and representation of Lord Narsimha – an avtara of Lord Vishnu to rescue his devotee Prahalada ; a ram, an animal often linked to Vedic ritual of Yagnas, and also associated with Yajurveda, one of the four most sacred scriptures of Hinduism ; yogis, deep in meditation ; a parrot, representing the foremost exponent of Shrimaad Bhagvatam – Shri Shukacharyaji. A parrot is also an auspicious bird and is said to bring good luck and abundant harvest.
thanks to->www.geocities.com/Athens/Acropolis/2425/
Shri Nathji, literally the "Husband of the Goddess of Wealth", has a magnificent mansion in the Rajasthani town of Nathadwara, India. This sumptuous 17th Century mansion serves as a seat of the Pushti Marg, a Vaishnav sect founded by MahaPrabhu Shri Vallabhacharyaji in the 15th Century. Expounding his philosophy of "Vishudhadvaita", the great Acharya set up the Pushti Marg, the Path of Grace, with divine blessing in Gokul. Vallabhacharyaji wrote a number of great Sanskrit works to expound his philosophy, and was honoured as an "Acharya" by the South Indian Emperor of Vidyanagar, Krshnadevrai.
The sect flourished under his son Shri Vitthalnathji (popularly called Shri Gosaiji), and soon adopted the graceful lifestyle of the 16th Century royal courts of North India. The temple servants still serve the beloved prince of Vraj with all the respect and deference due to a reigning monarch. The hoards of devotees who come to the Haveli for a darshan, see the Lord as "Ladelelal", the endearingly mischievous son of Yashoda.
Gosaiji and his decendents have kept the alive the spirit of the sect around India. The current Tilakayat (the goswami in charge of looking after ShriNathji at Nathadwara) is in direct line from Shri Gosaiji and along with about 150 other Goswamis, they look after the welfare of the sect.
The main form of the Lord worshipped in Pushti Marg is that of Shri Govardhan Dharan, the Lord lifting the Mount Govardhan to protect the denizens of Vraj. More popularly, this form of the Lord is lovingly called "Shri Nathji" by the followers of Shri Vallabhacharyaji.
Shri Gosaiji established seven separate Havelies for his seven sons in Gokul. The form of baby Krshna (Navanit priyaji), whom he inherited from his father, was permanently housed with Shri Nathji at mount Govardhan. Navanit Priyaji officiates for Shri Nathji when ever the Lord is required to perform any rituals outside the inner sanctum. All in all, Shri Gosaiji set up nine main forms of the Lord to be worshipped by his disciples. These are commonly called "Nidhies" of the Lord. Nidhi means an Ocean - these Lords are indeed the oceans of great honours and wealth for those who have the great responsibility to look after them.
During Auranzeb's vicious rule in Delhi, the Goswamis of Vraj judged the area to be too dangerous to live and practice their faith in. Apart from GokulNathji and his descendants, they all emigrated to various parts of Rajputana - the only secure Hindu controlled area in North India at the time. Over the centuries, these Nidhis have come to reside in various parts of India. Here I have listed the various Nidhis and where they currently reside.
Shri Nathji :- Lord Shri Govardhan-dharan, who has lifted mount Govardhan for us all (Nathadwara - Rajasthan)
Navnit Priyaji :- Baby Krshna, with a butter ball in his right hand. (Nathadwara - Rajasthan)
Mathura-Dhish :-Lord of Mathura - four armed image of the Lord. (Kota - Rajasthan)
Vitthal Nathji :- Lord, waiting with his hands on hips, for his devottees. (Nathadwara - Rajasthan)
Dwaraka-Dhish :- Lord of Dwarak - four armed image of the Lord. (Kakaroli - Rajasthan)
Gokul Nathji :- Lord of Gokul - four armed image of the Lord. (Gokul - UP)
Gokul Chandramaji :- The "moon" of Gokul - dark wooden image of the Lord playing a flute. (Kamvan - UP)
Maadan mohanji :- Lord playing his flute during the Rasa-uttsava. (Kamvan - UP)
Bal-Krshnaji :- Baby Krshna, with a butter ball in his right hand. (Surat - Gujarat)
Natavarlaji, Mukundraiji and Kalyanraiji, though not set up as Nidhies, were also worshipped by Shri Gosaiji and are accepted as semi-nidhis in Pushti Marg.
There are many explanations for the form / svaroup of ShriNathji.
In true Pushti tradition, many different explanations exist to cater for the different bhavas of the devotees.
1) Originally, Shri Vallabh worshiped the Lord as Govardhan-Dharan. Hence the most popular explanation of the form of ShriNathji is that of “the Lord who lifted mount Govardhan by his left hand to protect the residents of Vraj, to protect them from the wrath of Indra.” His left hand, raised above his head, upholds the mountain. His right hand rests on his hip, signifying 1) rest – whilst upholding the mountain 2) the depth of our troubles – ie "Don’t worry, you will easily cross the ocean of samsara and the results of your karmic actions will not worry you, as they are only waist deep ! You will not have to swim or seek the assistance of any other sadhana as your vehicle to cross the ocean of samsara ! Through my grace, the ocean is very shallow !"
In His GovardhanDharan aspect, the Lord promises to protect and save his beloved devotees 24 X 7 – ie at all times, in all conditions and forever. The Lord will keep the deluge of pain and suffering away from us and shield from the bad results of our own karmas. He will remain vigilant in this act of protection and will do so throughout the day and night, throughout the week, every week ! The only condition is, you have to near Him – hence His eyes are downcast, saying, come to my feet, and I will look after you. Once you have surrendered yourself to me, I will take care of all your requirement, including protecting you from own self if need be !
This has dainya (utter helplessness) and dasa (absolute surrender) as its chief bhava.
2) The Lord came to save the people and animals of Vraj from various calamities, one of those being the polluted waters of Yamuna. Poison spewed out by the Kaliya naga (a serpent with innumerable heads – very much like the various industries that currently pollute the river today !), was harming the lives and livestock of Vrajvasies. Lord Krishna decided to deal with this problem head on and crushed the serpent by dancing on his innumerable hoods. (The Lord did not kill the serpent, but sent him to live in the middle of the ocean, where his poison would not pollute humans. I am sure, even today we could learn from this and instead of banishing or destroying industries, make them clean up their mess or relocate them where they do not harm the environment.)
The Lord is dancing the dance of joy and victory, and the snake is trailing listlessly from the Lord’s raised left hand, down to his knees, and than up again from there, through the crook of his right hand, resting on His hip.
Adbhoot (wonder), danya (utter helplessness) and dasa (absolute surrender) are the chief bhava of this aspect of the Lord.
3) ShriNathji is also a Gopa – a child herding his cattle. In that aspect, the Lord raises his hand and calls out to his cows, least they should get lost in the woods of Vraj. “Come !” He says, “You have wandered far and wide. You have now had your fill. Come back to me. It is time to go home now !!” The Lord is recalling His beloved souls who have wandered around countless species for countless births. It is time for us to return to whence we came. This can also be a call to his beloved friends who are wandering in the woods, having lost track of time and need a reminder and guidance on getting back to their beloved homes.
With his left hand held aloft, the Lord calls the jives / souls to come to Him. Tired of waiting for the errant souls, the Lord has placed His right hand on His hip to take a rest from calling us back to divinity !!!!
Sakha (friendship) and dasa (absolute surrender) are the chief bhavas of this.
4) The svaroup of ShriNathji is also said to be the svaroup of Rasa Lila. The svaroup is said to represent two aspects to the Lord’s dance during the Maha Rasa.
1) His raised left hand holds aloft his scarf, fluttering in the moonlit woods of Vraj. His right hand is on his hip, kept there while He twirls with speed and gusto during the Maha Rasa. To represent this, Lord's clothes are flared out and his plaited hair is shown swinging in swirls to suggest the circular motion of the dance.
2) The Lord and the Gopies have linked their hands during the Maha Rasa to create an unbroken chain of joy. In several pichois of Maha-rasa, we can see the gopies linking their hands with the raised and lowered hands of the Lord.
3) The Lord’s uplifted arm is linked to a gopi’s uplifted arm – held aloft to suggest an expression of spontaneous joy.
4) During the Maha Rasa, sometimes the gopies got exhausted by the sheer pace of the Maha Rasa. Yet, they do they not want to take a break from it all by stepping away from the circle – least they should loose contact with their beloved Lord. So, the gopies take a brief rest by holding on to the Lord’s waist or leaning on His shoulder, whilst going round and round the Maha Rasa. The lowered hand of the Lord is linked to a gopi’s hand at the waist level for this reason.
By this, the Lord is saying, I am with you in your moments of joy, and in those moments when you are not 100 % and are taking a rest ! I am with you throughout your dance of Life, life after life !!!!
This has madhur (love) bhava as its chief expression.
5) The Lord is Nikunj-Nayak, Lord of the various bowers (there are 12 main such bowers) in the wonderful woods of Vraj. In this form, the Lord is standing at the entrance to a bower, inviting those souls that are entitled to this lila to come in and join Him.
Sometimes, the structure behind the Lord is said to be that of an entrance to a mythical cave that leads from mount Govardhan, directly to the divine abode of the Lord. It is also said that when a devote vaishnav dies, they enter the Lord’s abode through this kandara (hidden cave) behind the Lord.
Madhur (love) bhava is the chief emotion in this form, as only the beloved of the Lord are admitted into His private bower !
6) The Lord is also worshipped as Indradaman / Devdaman. When the Lord first revealed His current form, it was His raised left hand which was first seen by the villagers near mount Govardhan. They assumed it to be an icon of a snake and worshiped it as such. Later, the Lord revealed Himself and took the form of a young boy. He told the Vrajvasies that He was the one who protected their ancestors from the wrath of Indra and hence was known as Indra-Daman or Dev-Daman by the Vrajvasies. He used to play with the village children and it was in this form that Shri Vallabhacharyaji found Him when he first visited Jati-Pura.
Adbhoot (wonder), dainya (utter helplessness) and dasa (absolute surrender) are the chief bhava of this aspect of the Lord.
The mukhiyajies (high priests of the inner-most temple who are charged with taking care of the person of the Lord) adorn the Lord with clothes and jewels that are appropriate to the seasons and festivals. By adorning the Lord with great skill, they help evoke the various bhavas in the devotees.
Let us look at other symbolic aspects of Shri Nathji and his surroundings in the inner sanctum.
1) EYES ! Perhaps the most striking feature of ShriNathji -
The shringar of the Lord is usually done in such a way, so as to show that the Lord is looking down, with his eyes half closed. This re-enforces the dasa bhava, effectively saying, come to me, sit at my feet (ie be close to me) and I will keep an eye on you. The half closed eyes are a classical representation of a yogi in meditation. The Lord is the ultimate authority in yoga and indeed, is the very thing we all seek when we meditate !
2) GADI - The seat of the Lord
The gadi – ie the mattress on which the Lord stands, is stuffed with cotton wool, and it represents mother Yashoda’s lap. The two bolsters on the side are her hands. The Lord is said to be seated in the lap of His beloved Yashodama, forever secure that no one will dare scold Him while He is in her lap. No matter how naughty He has been during the day, no matter what the other gopies say, Yashodama will never believe anything ill of her beloved son. She will tell the complainants to look at their own shortcomings, but will never say anything to upset her darling child. Such is the love of mother Yashoda for her Ladilelal !
As a result, even now, though we all know that Devki is the mother who gave birth to Krushna, we still call him Yashodanandan. His foster mother Yashoda’s love for Him was so much dearer to Him than His real mother’s, that even the Lord says, “No matter what the world says, I will always call myself as your son ! I will call myself the son of Nanada and Yashoda.”
3) PITHIKA - The stele behind and around the Lord
The structure behind the Lord depicts a rocky landscape, said to represent a cave in the mount Govardhan. The raised area around the Lord is populated by snakes, representing the eternal Adi Shesha, Lord’s companion and brother in this avatara ; cows, forever auspicious and much loved by the Lord, especially in this avatara, where He loves to be called Gopal and Govind ; a lion, representing a regal symbol, a sign of authority and fearlessness and representation of Lord Narsimha – an avtara of Lord Vishnu to rescue his devotee Prahalada ; a ram, an animal often linked to Vedic ritual of Yagnas, and also associated with Yajurveda, one of the four most sacred scriptures of Hinduism ; yogis, deep in meditation ; a parrot, representing the foremost exponent of Shrimaad Bhagvatam – Shri Shukacharyaji. A parrot is also an auspicious bird and is said to bring good luck and abundant harvest.
thanks to->www.geocities.com/Athens/Acropolis/2425/
Nearby cities:
Coordinates: 24°55'54"N 73°47'35"E
- Nathdwara 1.8 km
- ganesh takri nathdwara 1.8 km
- SAURASHTRA LEUVA PATEL SAMAJ 3.3 km
- CHENA MATA MANDIR BY RAJESH PUROHIT 4.6 km
- Eklingji 22 km
- bhanvareshi mata temple 30 km
- Ranakpur Jain Temple Premises 39 km
- Kundal Ubeshwarji 42 km
- Rata Mahavir 54 km
- Hinglaaj Mata Ji Temple 62 km
- GANI SARKAR 1.8 km
- Shri JI Goverdhan Parwat Parikrama 2.5 km
- Nandsamand Dam 2.8 km
- "Shri Damodarlalji Stadium" 2.9 km
- Lal Bag Garden 3.1 km
- Shriji Gardens 3.4 km
- Roopesh Ganna 3.4 km
- Friends Colony 3.5 km
- Shrinath Colony 3.8 km
- VRINDAWAN GARDEN 3.8 km
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